How a mother's search for a suitable boy gained global coverage.
.jpg)
In the last 10 years, when the people looked at New Delhi, they saw two centres of power and not one decisive leader between them. There was nobody who could speak in a language people wanted to hear. Rediff.com's Sheela Bhatt reveals the true reason why the UPA appears rudderless on the eve of Election 2014.
One does not need to be extraordinary to be a hero. Sometimes, cutting your hair can be enough.
Sabyasachi Mishra who scored a perfect 100 with just two months of preparation shares his study secrets.
'Our daughter's name is ANITA-BRIGITTE. She should actually bear the name of AMITA, but the German authorities would have certainly objected to such an unusual name so we chose the name Anita which is almost sounding like Amita.' 'Brigitte was chosen by me because its short form in German is Gita.' Netaji's family had no idea that he had married and had a child till his brother Sarat Chandra Bose received a letter from Emilie Schenkl. A fascinating glimpse from Madhuri Bose's book, The Bose Brothers and Indian Independence, An Insider's Account.
Sandeep Shanbhag offers tips on post Budget taxation rates.
Ira Singhal, the country's first differently-abled UPSC topper shares her secret to success and her big plans for India.
Nisha Agarwal, commissioner of the New York Mayor's Office of Immigrant Affairs, recalls, with both anguish and elation, the events of the last fortnight after the US President's order banning entry for people from seven countries was put in place.
The gulf between Hindi cinema's finest current actor and his contemporaries widens with each film. But even Irrfan Khan, in Mick Jagger's words, can't always get what he wants. Raja Sen tells us why that's not a bad thing.
'No other actor in India was as lucky as me,' Soumitra Chatterjee tells Indrani Roy/ Rediff.com
No-Punchline humour reminds us how in our daily lives, we all are by turns 'The Corrupt Politician we criticise,' 'The Chauvinist Male we frown upon,' 'The Rule Breaker we deride through our Facebook posts,' 'The Communal Virus we so easily lampoon' and 'The Bad Artist we spoof.' In a land where the aforesaid prototypes are our major sources of 'funny,' is there an audience for the NPL kind of humour, asks Sreehari Nair.
'He was believed to finish his own work in an hour and spend the remainder of the time walking from one office to another, sitting down with the harried junior staff and helping them sort out the problems they were working on.'
